Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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simon luttichuys
Bread and an Orange resting on a Draped Ledge

ID: 75757

simon luttichuys Bread and an Orange resting on a Draped Ledge
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simon luttichuys Bread and an Orange resting on a Draped Ledge


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simon luttichuys

ca 1630-1640   Related Paintings of simon luttichuys :. | Bread and an Orange resting on a Draped Ledge | Tankard with Oysters, Bread and an Orange resting on a Draped Ledge | Vanitas still life with skull, books, prints and paintings | A 'Roemer' with white wine, a partially peeled lemon, cherries and other fruit on a silver plate with a rose and grapes on a stone ledge | Vanitas still life with skull, books, prints and paintings by Rembrandt and Jan Lievens, with a reflection of the painter at work |
Related Artists:
MAZZOLINO, Ludovico
Italian Painter, 1480-1528 .Italian painter. He may have served an apprenticeship with Ercole de' Roberti (Morelli) before he left Ferrara to study in Bologna with Lorenzo Costa (i). The earliest surviving documentation is from 20 May 1504, when he received a first payment for frescoes (destr. 1604) in eight chapels in S Maria degli Angeli, Ferrara, commissioned by Ercole I d'Este, Duke of Ferrara and Modena. Between 1505 and 1507 he was paid for works, presumably decorative, in the Este guardaroba and the camerini of the Duchessa Lucrezia Borgia in Ferrara Castle (untraced). His first surviving dated painting is the triptych of the Virgin and Child with SS Anthony and Mary Magdalene
Henry Hutt
American Illustrator 1875-1950
James-Goodwyn Clonney
British/American, 1812-1867, American painter. He was one of the first generation of American genre painters. His earliest datable work includes two lithographs of urban views and images of birds and animals published in New York between 1830 and 1835. He studied at the National Academy of Design, New York, and exhibited there periodically between 1834 and 1852. The first genre painting he exhibited at the National Academy was Militia Training (1841; Philadelphia, PA Acad. F.A.), although another example, In the Woodshed (1838; Boston, MA, Mus. F.A.), predates it. He also exhibited at the Pennsylvania Academy of Fine Arts (1845 and 1847) and at the Apollo Association and American Art-Union (1841-50).






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